Thanks to Eduardo Corral for pointing this review out.

I knew if the book were any longer it would hurt your project. Let me explain: I see you as one of our most successful practitioners of Light Verse, an undervalued and underexplored poetry genre these days. How could one not feel excited with such nifty, short, rhyming triumphs like “Ovid in San Francisco,” “Ganymede on Polk Street,” and “Modern Art”? To add more poems to your brief volume would take away the strategic effect of offering us quick, endless punchlines and surprises.