Intrigue at an Impasse

August 11, 2014

Contributor’s Marginalia: Callie Siskel on “Magnolia” by Alessandra Lynch What first drew me to Alessandra Lynch’s “Magnolia” was its stunning premise and first line: “A wedding broke out in the magnolia—” Often, first lines seem too desperate, begging us to suspend our disbelief. Lynch’s first line doesn’t give us the chance to protest. Her language is figurative but […]

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Prose Feature: “Poetry and Community” by Bruce Bond

August 8, 2014

In a cave in southern Germany, archeologists found what they believe might be the oldest surviving musical instrument, a flute made of vulture bone, and they thought, so that’s it, that’s why the Homo Sapiens survived and the Neanderthals, who were physically superior, did not. Not the mighty flute, of course, though it no doubt […]

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Dream as Canvas

July 28, 2014

Contributor’s Marginalia: Jordan Windholz on “Ledger of Joseph” by Kevin Thomason I love a poem that has me sliding along language’s surfaces of sound, and so I love Kevin Thomason’s “Ledger of Joseph.” I can read this poem again and again just to feel its syllables in my mouth, to hear them knock around in my ear. The […]

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Prose Feature: “To Go On Living There With Everything: A Review of Joshua Robbins’s Praise Nothing (University of Arkansas Press, 2013)” by Michele Poulos

July 25, 2014

In his debut collection Praise Nothing, Joshua Robbins orients us both to the need for seeking greater spiritual awareness and the disappointments of such seeking, as in the lines “Nothing / is new here under the sun / beating down in mid-April / where no one is looking for the infinite.” Throughout an array of […]

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For Want

July 21, 2014

Contributor’s Marginalia: Amy Beeder on “The Shepherd’s Song” by Jordan Windholz Weeks after I asked George David Clark if I could respond to “The Shepherd’s Song,” I am still unable to really explicate it, which I’m sure will be good news for Jordan Windholz. I can say that I am still astonished by its power and economy: a […]

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